Other exambles are 'clutch' used in unusual variations ('I've been so clutch to her' 'Clutch pig' as an insult) and 'Lanky lizards!', which is Weetzie's version of Goshdang It To Heck.

Witch Baby defines the term as 'a pounceable guy who likes guys'. Buffy Speak: When the Bat family talks about 'Ducks', they don't mean the birds.Black Sheep: Witch Baby, lampshaded by Weetzie.Amazing Technicolor Population: The blue receptionist at the Pink Hotel, also a Visual Pun in that the reason she turned blue was because she was unhappy.Then there's Ping Chong, which is presumably an ordinary Chinese Name, and Raphael Chong Jah-Love, which is a multicultural combination. Aerith and Bob: Weetzie Bat, My Secret Agent Lover Man, Witch Baby, Cherokee, Duck Drake, Valentine Jah-Love, Vixanne Wigg.Pink Smog: Becoming Weetzie Bat (another prequel).Baby Be-Bop (a prequel, set before the first book).However, it has also garnered both critical acclaim and popularity among readers, and will probably be remembered as a classic, if only for Block's inimitable writing style. The series' frank treatment of teen sex, drugs and homosexuality has made it controversial certain schools have even banned it from their libraries. It's about a blended family of eccentric, colorful, oddly named artists falling in love, coming of age, dealing with grief and prejudice, and making really cool independent films - with just a dash of magic to make things interesting. Her book channeled the spirit of youth into poetic language, broke ground for queer representation in YA and remains a literary lifeline for weird girls (and others) the world over.The Weetzie Bat series by Francesca Lia Block, also known as Dangerous Angels, is a Mythpunk series of six novels set in the Los Angeles of The '90s. But Block’s pure intentions shine through. Not every element of this magpie universe has aged well the eclecticism of 1989 looks, in some cases, like appropriation. There is addiction, heartbreak, violence, AIDS. The first volume of her avant-garde YA series Dangerous Angels, it trails teenage bohemian Weetzie and her best friend Dirk through the burrito stands, punk venues and Old Hollywood ruins of ’80s Los Angeles, in a magic-sprinkled plot that moves at the pace of a sports car on an empty freeway.

It’s an accelerated, exhilarating, hormone-addled time-one Francesca Lia Block renders with ecstatic precision in Weetzie Bat, a wisp of a debut novel that plays like a pop banger. When it comes to capturing the heightened sensory experience of adolescence, music has always been an ideal vehicle.

Weetzie bat